The Writer as Critic : Essays in Literature, History and Culture
Contents: Preface. Introduction. 1. Henry Louis Vivian Derozio : on the colonisation of India by Europeans. 2. Jotirao Govindrao Phule : preface to Ghulamgiri. 3. Altaf Husain Hali : Muqaddams She'r O Shairi. 4. Bankim Chandra Chattopadhaya : Bengali literature. 5. O. Chandu Menon : preface to the first edition of Indulekha. 6. Goverdhanram Tripathi : prefaces to Saraswati Chandra. 7. Rabindranath Tagore : the historical novel. 8. Sarat Chandra Chatterjee : the tradition and virtue of literature. 9. Premchand : the intent of literature. 10. Jainendra Kumar Jain : literature and society. 11. Gajanan Madhav Muktibodh : the third moment: Teesra Kshana. 12. Ismat Chughtai : to those married women. 13. S.H. Vatsyayan Agyeya : memory and time, memory and country. 14. Gopalkrishna Adiga : the renaissance yet to come. 15. Mohan Rakesh : the novel and depiction of reality. 16. Rahi Masoom Raza : the slumbering town. 17. Jayanta Mahapatra : face to face with the contemporary poem. 18. Nirmal Verma : language and national identity. 19. U.R. Ananthamurthy : what does translation mean in India? 20. Ra Ga Jadhav : Dalit feelings and aesthetic detachment. 21. Sitakant Mahapatra : Indian culture: quest for perspective - dualities, resolutions and transcendence. 22. Mridula Garg : Word as censor. Index.
The Writer as Critic travels over more than a century and a half to trace the development of indigenous theoretical concerns and the intellectual engagement of writers with the major issues of their times. They address issues of language, social reform, narrotology, reality and realistic presentation, as they seek to define their positions. Both time and space come in for philosophical reflection, as does the concept of the self.
Many of the essays included in the present selection have been translated from Indian languages and some of these for the first time. Manifestos, prefaces, autobiographical extracts, fictional representations of history form a part of this collection in order to capture the intensity of experience. The felt anguish of dislocation as well as the political and philosophical aspects of belonging connect up with theories of exile, the refugee and the immigrant and produce a counter discourse as cultural theories of time and space are explored.
Together the essays, ranging from Derozio to Garg, enable the tracing of Indian literary and theoretical history and the relocation and interpretation of literary movements.
